The action here also brings in Winston Story’s Bill Hummertrout, a man who looks enough like Charles Boyle but has kind of fallen apart over the years.
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There are a series of flashbacks and betrayals related to the truck, including magnet suits and a reference to the movie Salt.
The great Chelsea Peretti returns for the final heist, grabbing the prize and jumping into her armored truck. The janitor? Dan Goor, co-creator of Brooklyn Nine-Nine.Īfter finally seeing Holt’s tramp stamp - a terrifying hybrid of Kevin’s head and Cheddar’s body - the second big cameo drops in the form of the one and only Gina Linetti.
There’s also an even deeper cut when they get back to the station to find a janitor erasing Terry’s next clue from the lineup wall. There’s a fun little callback here when Jake got suspects in a lineup to sing Backstreet Boys, which happened in the cold open for “DFW” from season five. The action moves on to what has to qualify as a Wuntch cameo, as she’s dead and Holt maintains the celebratory balloon arc over her grave. He’s into embroidery now, but also still into eating people. It’s Caleb, the cannibal that Jake befriended in the two-part season-five premiere, played by SNL vet Tim Meadows. (One has to wonder if the line about Jake reaching out to Willis’s people and getting back that he “would not engage with something like that” could be a peek behind the scenes.) The first familiar face comes as the gang follows a series of clues left by Terry, who has tried to get out of this year’s heist by interviewing for Holt’s job. Heist! The journey to find “the Grand Champion of the 9-9” unfolds with a series of double crosses and cameos from the show’s history. Jake and Amy have long been among the best modern-sitcom couples, so it’s nice to see them end on a happy note. He has a few nice beats here with Melissa Fumero. Couldn’t he even mention feeling defeated by the flaws of policing in the modern era? No, the choice is portrayed as Jake’s dream job of being a father, and Andy Samberg sells it. It’s a little interesting that the writers don’t allow even a hint of the show’s real-world issues this season has played with to impact Jake’s decision. He wants to be there in a way that his father never was for him. As fans have suspected, he is resigning to be a stay-at-home dad to Mac. Everyone knows Holt is leaving the 9-9, but Jake reveals to Amy that he’s using the heist to craft his own farewell to his best friends. It’s really about two competing agendas to craft the perfect good-bye. It helps that they have finality to ground it.
The heist episodes are fan favorites because of their breakneck pace, and it’s impressive that the writers were able to stretch that concept for a two-parter without breaking it. It’s really a very well-constructed hour of television, always moving with a momentum that a lot of this season lacked. Every other scene involves a betrayal, a surprise, a flashback, etc. “The Last Day” contains so many twists and turns in its heist that it’s almost impossible to recap it adequately. Jake says near the end that “good-byes are inherently sad,” but the team behind this show found a way to bring the rocky final season to a close with enough joy and humor to send it off with the proper final case. Brooklyn Nine-Nine was a show about relationships more than anything else, as Jake Peralta found a partner in Amy, a best friend in Boyle, and a father figure in Holt. And as this show has so often done, it’s bound with just enough emotion to land. It’s an episode that allows its performers to shine with clever, funny, and incredibly fast-paced performances. It returns to the most beloved structure of this sitcom: the heist! And it peppers this final adventure with a ton of nods to the history of the show, some of them in the blatant form of returning guest stars and some more as Easter eggs for the hard-core fans. It’s over! The remarkable eight-season, two-network run of Brooklyn Nine-Nine came to a close last night with the hour-long “The Last Day,” an episode that genuinely gives fans what they want in a series finale.
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